Toutes peintures ā l'huile d'Arnold Bocklin


ID Image Painting(From A to Z)    Details 
70280  
Arnold Bocklin, Angelika von einem Drachen bewacht oder Angelica und Ruggiero
 
 Angelika von einem Drachen bewacht oder Angelica und Ruggiero   Medium Oil on wood Dimensions 46 X 67 cm
66171  
Arnold Bocklin, Angelika, von einem Drachen bewacht oder Angelica und Ruggiero
 
 Angelika, von einem Drachen bewacht oder Angelica und Ruggiero   1873 Oil on wood 46 x 67 cm
67777  
Arnold Bocklin, Angelika, von einem Drachen bewacht oder Angelica und Ruggiero
 
 Angelika, von einem Drachen bewacht oder Angelica und Ruggiero   1873 Oil on wood 46 X 67 cm
66172  
Arnold Bocklin, Astolf reitet mit dem Haupte Orills davon
 
 Astolf reitet mit dem Haupte Orills davon   1873 Oil on canvas
40751  
Arnold Bocklin, Centaur Fight
 
 Centaur Fight   mk156 1873 Tempera on canvas 105x195cm
23257  
Arnold Bocklin, Centaurs' Combat (nn03)
 
 Centaurs' Combat (nn03)   1873 Oil on canvas h105 x w195 cm h41 1/4 x w76 3/4in Kunstmuseum,Basel
94  
Arnold Bocklin, Children Carving May Flutes
 
 Children Carving May Flutes   1877 Oskar Reinhart Foundation, Winterthur
88204  
Arnold Bocklin, Das Spiel der Najaden
 
 Das Spiel der Najaden   1886(1886) Medium Oil on canvas Dimensions 151 x 176 cm (59.4 x 69.3 in) cjr
11726  
Arnold Bocklin, Diana's Hunt
 
 Diana's Hunt   1896 3' 3 1/4'' x 2' 7 1/2''(100 x 80 cm)
89417  
Arnold Bocklin, Die Kapelle
 
 Die Kapelle   oil on canvas, 95 x 70 cm Date 1898(1898) cyf
98  
Arnold Bocklin, Elysian Fields
 
 Elysian Fields   1877 Oskar Reinhart Foundation, Winterthur
38736  
Arnold Bocklin, Faun Whistling to Blackbird
 
 Faun Whistling to Blackbird   mk141 1863 Bayerische Staatsgemaldesammlung,Munich
84338  
Arnold Bocklin, Im Spiel der Wellen
 
 Im Spiel der Wellen   Oil on Canvas Date 1883(1883) cyf
40773  
Arnold Bocklin, Island of the Dead
 
 Island of the Dead   mk156 1880 Oil on wood 73.7x121.9cm
45809  
Arnold Bocklin, Kentaur in the village smiths
 
 Kentaur in the village smiths   mk178 1888 oils on wood 80x100cm
93837  
Arnold Bocklin, Nessus und Deianeira
 
 Nessus und Deianeira   1898(1898) Medium oil on canvas cjr
96  
Arnold Bocklin, Nymphs Bathing
 
 Nymphs Bathing   1863-66 Oskar Reinhart Foundation, Winterthur
88207  
Arnold Bocklin, Odysseus und Kalypso
 
 Odysseus und Kalypso   1883(1883) Medium Oil on wood Dimensions 104 x 150 cm (40.9 x 59.1 in) cjr
95  
Arnold Bocklin, Pan Amongst the Reeds
 
 Pan Amongst the Reeds   1856-57 Oskar Reinhart Foundation, Winterthur
95181  
Arnold Bocklin, Plague
 
 Plague   Plague, 1898, Arnold Böcklin. Tempera on wood cyf
40784  
Arnold Bocklin, Playing in the Waves
 
 Playing in the Waves   mk156 1883 Oil on canvas 180x238cm
96451  
Arnold Bocklin, Portrait of Anne Catherine Constance as St Catherine
 
 Portrait of Anne Catherine Constance as St Catherine   1653(1653) Medium oil on canvas cyf
89872  
Arnold Bocklin, Selbstportrat mit fiedelndem Tod.
 
 Selbstportrat mit fiedelndem Tod.   1872(1872) Medium oil on canvas Dimensions 75 x 61 cm (29.5 x 24 in) cjr
56275  
Arnold Bocklin, self portrait with death playing the fiddle
 
 self portrait with death playing the fiddle   mk247 1872,oil on canvas,30x24 in,75x61 cm,staatliche museen,alte nationalgalerie,berlin,germany
27047  
Arnold Bocklin, Self-Portrait in his Studio
 
 Self-Portrait in his Studio   mk52 1893 Oil on canvas 120.5x80.5cm Kunstmuseum,Basle
27037  
Arnold Bocklin, Self-Portrait with Death Playing the Violin
 
 Self-Portrait with Death Playing the Violin   mk52 1872 Oil on canvas 75x61cm Neue Nationalgalerie,Berlin
71090  
Arnold Bocklin, silence fe la foret
 
 silence fe la foret   mk289 1896 collection particuliere
66173  
Arnold Bocklin, Sirenen
 
 Sirenen   1875
72550  
Arnold Bocklin, Sirenen
 
 Sirenen   1875 cjr
74311  
Arnold Bocklin, Sirenen
 
 Sirenen   Date 1875 Medium Unknown Dimensions ? cm cyf
71780  
Arnold Bocklin, Spiel der Wellen
 
 Spiel der Wellen   Spiel der Wellen, 1883. canvas, 180 x 236 cm. Neue Pinakothek, Munich.
31193  
Arnold Bocklin, Tamara and the Demon
 
 Tamara and the Demon   mk72 1890-91 Illustration for the poem The Demon by Mikhail Lermontov Black watercolor and white on brown paper pasted on cardboard 66.5x50cm Tretyakov Gallery,Moscow
31194  
Arnold Bocklin, Tamara's Dance
 
 Tamara's Dance   mk72 1890-91 Illustration for the poem The Demon by Mikhail Lermontov Black watercolor and white on paper 503x4cm Tretyakov Gallery,Moscow
95078  
Arnold Bocklin, The island of life
 
 The island of life   Oil on wood Dimensions 94 x 140 cm cyf
93  
Arnold Bocklin, The Isle of the Dead
 
 The Isle of the Dead   1880 111 x 155 cm Kunstmuseum, Basel
31189  
Arnold Bocklin, The Isle of the Dead
 
 The Isle of the Dead   mk72 1880
56319  
Arnold Bocklin, the lsland of the dead
 
 the lsland of the dead   mk247 1886,oil on wood,31.5x59 in,80x150 cm,museum der bildenden kunste,leipzig,germany
91  
Arnold Bocklin, The Sacred Wood
 
 The Sacred Wood   1882 Kunstmuseum, Basel
31191  
Arnold Bocklin, The Seated Demon
 
 The Seated Demon   mk72 1890 Oil on canvas 114x211cm Tretyakov Gallery,Moscow
31192  
Arnold Bocklin, The Seated Demon
 
 The Seated Demon   mk72 1890
34013  
Arnold Bocklin, The Waves
 
 The Waves   mk87 1883 Oil on canvas 180.3x237.5cm Munich,Bayerische Staatsgemalde sammlungen,Neue Pinakothek
21554  
Arnold Bocklin, The Waves (mk09)
 
 The Waves (mk09)   1883 Oil on canvas,180.3 x 237.5 cm Munich,Bayerische Staatsgemalde-sammlungen,Neue Pinakothek
97  
Arnold Bocklin, Triton and Nereid
 
 Triton and Nereid   1877 Oskar Reinhart Foundation, Winterthur
22316  
Arnold Bocklin, Venus Genitrix (mk19)
 
 Venus Genitrix (mk19)   1895 Oil on canvas,115 x 170 cm Kunsthaus Zurich,Zurich
96520  
Arnold Bocklin, Villa am Meer
 
 Villa am Meer   1878(1878) Medium oil on canvas Dimensions 110 x 160 cm cyf
92  
Arnold Bocklin, War
 
 War   Staatliche Kunstsammlungen, Dresden
86621  
Arnold Bocklin, Zerstortes Haus in Kehl
 
 Zerstortes Haus in Kehl   Date 1870(1870) Medium Oil on canvas Dimensions 20.5 x 35.5 cm (8.1 x 14 in) cjr

Arnold Bocklin
Swiss 1827-1901 Arnold Bocklin Locations Arnold Bocklin was born on Oct. 16, 1827, in Basel. He attended the Dusseldorf Academy (1845-1847). At this time he painted scenes of the Swiss Alps, using light effects and dramatic views subjectively to project emotional moods into the landscape. In 1848 this romantic introspection gave way to plein air (open-air) objectivity after he was influenced by Camille Corot, Eugene Delacroix, and the painters of the Barbizon school while on a trip to Paris. But after the February and June revolutions Bocklin returned to Basel with a lasting hatred and disgust for contemporary France, and he resumed painting gloomy mountain scenes. In 1850 Bocklin found his mecca in Rome, and immediately his paintings were flooded by the warm Italian sunlight. He populated the lush southern vegetation, the bright light of the Roman Campagna, and the ancient ruins with lonely shepherds, cavorting nymphs, and lusty centaurs. These mythological figures rather than the landscapes became Bocklins primary concern, and he used such themes as Pan Pursuing Syrinx (1857) to express the polarities of life: warm sunshine contrasts with cool, moist shade, and the brightness of womans spirituality contrasts with mans dark sensuality. When Bocklin returned to Basel with his Italian wife, he completed the painting which brought him fame when the king of Bavaria purchased it in 1858: Pan among the Reeds, a depiction of the Greek phallic god with whom the artist identified. He taught at the Academy of Art in Weimar from 1860 to 1862, when he returned to Rome. Called to Basel in 1866, he painted the frescoes and modeled the grotesque masks for the facade of the Basel Museum. Bocklin resided in Florence from 1874 until 1885, and this was his most active period. He continued to explore the male-female antithesis and painted religious scenes, allegories of Natures powers, and moody studies of mans fate. He ceased working with oils and began experimenting with tempera and other media to obtain a pictorial surface free of brushstrokes. Bocklin spent the next 7 years mostly in Switzerland, with occasional trips to Italy; he devoted much of his energy to designing an airplane. Following a stroke in 1892, he returned to Italy, bought a villa in Fiesole, and died there on Jan. 16, 1901. Many of his late works depict nightmares of war, plague, and death.



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